Friday, July 31, 2020

A Shire Morning



A Shire Morning

Early morning, late July in the year of vision

Sun just leaving the horizon

Morning chill mixes with the symphony of birds

Corn a deep green fence sitting across the road

White clouds mixing with the changing hues of blue

I stand at the end of my driveway

Breathing in the new air

Exhaling the fear of troubled sleep

The neighborhood goes quiet as my soul spins

into an eternal moment

I feel how all directions 

lead back to where I am standing

No matter where my story leads

or the adventures my children grow into

Home is here

The sun warms my neck while the breeze cools my face

I close my eyes

At least for a moment

I felt that all was good in the world

Thursday, July 30, 2020

Poetic Form 51: The Blitz



Throat Not Cut

Wolves at the door

Wolves at my throat

Throat bleeding

Throat hurting

Hurting my lungs

Hurting my eyes

Eyes filled with tears

Eyes burning

Burning the past

Burning my future

Future filled with fear

Future falling to pieces

Pieces of paper

Pieces of poems

Poems of hate

Poems of love

Love lost

Love found

Found in a box

Found by time

Time spent

Time lost

Lost to another

Lost in prayers

Prayers of salvation

Prayers in silence

Silence of the heart

Silence that echos 

Echos of the past

Echos of words

Words not said

Words that stumble

Stumble through life

Stumble and fall

Fall for the lies

Fall into winter

Winter always comes

Winter nights

Nights filled with stars

Nights hold danger

Danger of death

Danger around the corner

Corners hide

Corners sharp

Sharp like knives

Sharp enough to cut

Cut to the heart

Cut out the pain

Pain…

heart...



Poetic Form #51: The Blitz

The Blitz is a form based on rapid fire short phrases, with a repetitive format. 

The first line is one short phrase or image. The second line uses the first word

from line one with another short phrase.  Lines three and four start with the last

word of line two. Then lines five and six start with the last word of line four.

Repeat this pattern through 48 lines. Line 49 is the last word of line 48 and line 50

is the last word of line 47. The title of the poem is three words long using this format:

first word of line three, preposition or conjunction and the first word of line 47.

There is no punctuation.

Wednesday, July 29, 2020

Poetic Form 50: Sestina

Main Street

When we sale no more lies
posted on lamp poles in the light of the sun,
maybe then we will be able to find
the strength to walk together with love
on these crowded streets.
A better future needs a truer vision.

Nothing corrupts one’s vision
more than the belief of our own lies.
Jaywalking across unmarked streets
watching our shadow move with the sun.
Our steps in a hurry, because we love
to be seen for more than we find

in our coat pockets. We never find
the right keys to unlock our true vision
of the way we want to share love
with the world. Instead we write lies
on our phones. Never noticing the sun
going down while the lights of the street

illuminate the storefronts on main street.
Crowds pass us, all face down, finding
it is easier to get lost when the sun
goes down on their dreams. Cracked visions
of past moments flicker like lies
across lips that manipulated their love.

The pain of heartbreak darkens the love
we share with the pedestrians on the street.
We wave them across with a smile, polite lies
we combine with emotional Molotov cocktails we find
stored behind our eyes. Fire and destruction is the vision
we hold in darkness, truth pierces us in the sun.

At a crosswalk, traffic lights hard to see in the sun.
We crave a seat at a cafe with the ones we love.
A better day, less traffic, a simple vision
but a more meaningful life. A map with street
names clearly marked. We would finally find
our way past the boarded up lies.

The murmur of traffic lies in the ears, away from the sun,
confusing the soul. Hard to find peace and love
in a life that shares streets with strangers without a vision.

Poetic Form #50: Sestina
The sestina form is a complicated form, so I am linking to the guidelines presented
by Writer’s Digest, “Sestina Form”.

Monday, July 27, 2020

Poetic Form 49: Trimeric

The Wonder of...

We lost the wonder of an ordinary day,
hoping for validation in a grand moment,
believing joy appears like a comet on a winter night.
We never connect to the moment of the present.

Hoping for validation in grand moments
clouds our eyes from seeing the colors
the world is painted with. We search time

believing joy appears like a comet on a winter nights.
We wait for decades for the opportunity to know
that we are alive, that we deserve to be loved.

We never connect to the moment of the present.
To unwrap what is ours, to what has always been there,
a life filled with wonder wrapped in an ordinary bow.


Poetic Form #49: Trimeric
The trimeric form has 4 stanzas. The first stanza has 4 lines, with the other three 
stanzas written with 3 lines each. The first line of the 3 stanzas is a refrain of the 
corresponding line in the first stanza.  The 2nd stanza starts with the second line,
 third stanza starts with the third line, and the fourth stanza starts with the fourth line. 
There are no other rules on line length, meter, or rhyme.

Sunday, July 26, 2020

Poetic Form 48: Epitaph


Let my words speak for me.
Let them show you how to be free
to love, to live, to open your heart to see.

Poetic Form #48: Epitaph
An epitaph is a note that appears on a tombstone. It is usually brief and often rhymes. 
Epitaphs try to get the reader thinking about the subject of the tombstone.

Saturday, July 25, 2020

Poetic Form 47: Tanka


Daughters sit with feet
in cool water on summer
afternoon as I 
try to remember feeling
such innocent joy like them


Poetic Form #47: Tanka
A Tanka poem is usually one long sentence broken purposefully between all five lines. 
English versions usually adhere to a syllable count: five syllables in the first line, 
seven in the second, five in the third, and seven in lines four and five. 
Tanka poems often culminated in a transcendental message.

Friday, July 24, 2020

Poetic Form 46: Fibonacci

Kiss

Kiss
me,
like you
never felt
a broken promise.
I will fall true to the caress.


Poetic Form #46: Fibonacci
Fibonacci poetry was created by Gregory K. Pincus as a 6-line poem that 
follows the Fibonacci sequence for syllable count per line.
1 syllable first line
1 syllable second line
2 syllables third line
3 syllables fourth line
5 syllables fifth line
8 syllables sixth line

Thursday, July 23, 2020

Poetic Form 45: Hir a Thoddaid

Hometown

The streets are the same, but names and some
buildings have changed. I am now an alum
of the school. Football in the snow, numb
hands, burning lungs, I ran, becoming
a man I believed would change all the rules.
Yet, this small town, my history from.

Poetic Form #45 Hir a Thoddaid
The hir a thoddaid structure is as follows: (Xs are syllables).
1-xxxxxxxxa
2-xxxxxxxxa
3-xxxxxxxxa
4-xxxxxxxxa
5-xxxxxxxbxx
6-xxbxxxxxa

Line 5 has 10 syllables. The other 5 lines have 9 syllables. The "b" rhyme is open 
to be near the end of line 5, then somewhere in the first half of line 6. There is a 
little freedom with that rhyme.

Poetic Form 44: Sijo


It’s not fair, the way you hold from day to night. Left then right,
a passion for the touch of togetherness found by blue light.
Too many screens fill our world view, alone we text as friends fail.


Poetic Form #44: Sijo
A sijo is a traditional three-line Korean poetic form. Each of the three lines average 
14-16 syllables, for a total of 44-46 syllables. The first line is usually written in 
a 3-4-4-4 pattern and states the theme of the poem. The second line builds on the 
theme and is usually written in a 3-4-4-4 pattern, too. The third line is divided into 
two sections; the counter-theme (or twist), is grouped as 3-5, while the second part,
the conclusion, is written as 4-3.

Poetic Form 43: Roundelay

Maybe I am Wrong

When we fall time after time,
nothing heals our broken dreams.
And maybe I am wrong about this lifetime,
maybe happiness is a lie, just another scheme.
Every “I love you” a crime.
Our minds echoing with sorrowful screams.

And maybe I am wrong about this lifetime,
maybe happiness is a lie, just another scheme.
The cards and flowers, words that rhyme,
only illusions, fairy tales it seems.
Every “I love you” a crime.
Our minds echoing with sorrowful screams.

The cards and flowers, words that rhyme,
only illusions, fairy tales it seems.
Promises are meant to be broken, I’m
losing faith in the purpose of time’s stream.
Every “I love you” a crime.
Our minds echoing with sorrowful screams.

Promises are meant to be broken, I’m
losing faith in the purpose of time’s stream.
From Christmas mornings to our prime,
joy escapes our hands like moonbeams.
Every “I love you” a crime.
Our minds echoing with sorrowful screams.


Poetic Form #43: Roundelay 

A roundelay is a lyric poem that uses a refrain. This form is a version of a 
John Dryden roundelay found in Lewis Turco's The New Book of Forms. 
Here are the rhymes and refrains:
Line 1: a
Line 2: b
Line 3: A1
Line 4: B1
Line 5: A2
Line 6: B2

Line 7: A1
Line 8: B1
Line 9: A3
Line 10: B3
Line 11: A2
Line 12: B2

Line 13: A3
Line 14: B3
Line 15: A4
Line 16: B4
Line 17: A2
Line 18: B2

Line 19: A4
Line 20: B4
Line 21: a
Line 22: b
Line 23: A2
Line 24: B2

Wednesday, July 22, 2020

Poetic Form 42: Than-bauk


Never lost for words,
mind writes birds, some
two-thirds take flight.

Poetic Form #42: Than-bauk

The than-bauk form has three lines with four syllables per line. It has an interesting
internal rhyme scheme; the final syllable of the first line rhymes with the third 
syllable of the second line and second syllable of the third line.